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If you’ve played with thread, you know that it will escape whenever given the chance. You’ve learned that a yarn under tension is easier to manage. And when it is under control, peace prevails in the weaver’s house. Here are our winding tips and tricks to banish yarn turbulence once and for all. Yarn Put ups
Handling Skeins Swifts
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The Scandinavian Swift clamps to a table and accommodates skeins up to 2 pounds and 2 yards in circumference. A real workhorse for large, heavy skeins, and delicate ones, too. Those Swedes know a thing or two about yarn. $71.
Our newest swift, the Goko, has a neat sounding name, and turns freely on wooden uprights. A traditional Japanese tool, you’ll know when you use this swift why the Japanese prefer it for fine silks and other delicate yarns.
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See our current
Handwoven Magazine
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Winding bobbins, spools and pirns
Like unwinding skeins, you can wind bobbins by hand, but life’s too short for this. Get yourself a bobbin winder and never regret it. Your choices: the single end hand bobbin winder (great for bobbins, the least expensive), the double end hand bobbin winder and the double end electric bobbin winder (good for bobbins, pirns, and spools).
Double end winders are recommended for pirns
and spools because they have two holding points which help accommodate
different diameters that might not fit on the
pirn of a single
end winder.
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(Note: all doubled end winders can be fitted with points for lace winding; conversion kits are available.)
We designed the Winding Station because we needed a compact place to put everything. Where do you clamp your ball winder? How do you hold cones? Where can you place spools? At the winding station you can perform all your winding tasks and never have to move your tools again. Clamp on your swift, attach your ball winder, hold your cones, tubes, and spools and you’re off and winding! Is the winding station a necessary piece of equipment? No. Will it help organize and simplify life in the studio? Yes. $205. Ask your dealer for these and other Schacht products. |
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| About Schacht - Our Logo | ||||||||||
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Dear
Violet Rose, Abby Grace, Minneapolis, Minnesota |
Dear
Violet Rose, Elizabeth Waller, Mercer Island, Washington |
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Dear
Abby, |
Dear
Elizabeth, |
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Dear
Violet Rose, Ann Chamberlain, Baltimore, Maryland |
Dear
Violet Rose, Dana Logan, Ft. Collins, CO |
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Dear
Ann, |
Dear
Dana,
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![]() X-Join |
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The inkle loom produces so
many interesting patterns I wanted to make something that stood out by
itself. I have been seeing a lot of wider cuff-like bracelets in stores
recently and have been tempted to buy one. I haven’t found the right one,
however, so I thought it would be fun to make something stylish and
appealing for myself in yarn. |
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Project Instructions Yarns: Warp--10/2 pearl cotton at 4800 yd/lb in red, white, and blue. Weft—10/2 pearl cotton in white. About ½ oz of red and blue and 1 oz of white are used. UKI colors: Perfectly Red #1070, Pure White #010 and Ultramarine #497. White sewing thread. Notions: Beads for band and closure. Warp length: The finished length of band is 6 ½”. Warp the inkle loom for the shortest length; use the additional warp length to weave additional cuffs or a bookmark or two. Warp Color order: W=white B=blue R=red Total Ends = 53 |
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Both the button loops and the buttons are woven into the band. For the center bead accents and X joins, the warp is divided in two and two shuttles are used to weave a slit; beads and X joins are woven in as the slit is woven. Step 1: Warp loom according to warp color pattern above. Step 2: Weave 1 inch. Step 3: Create loop fasteners. Make a cord by twisting together 3 lengths of yarn about 8 inches long each. Insert the plied yarns into the shed. Pull two loops up between the warp yarns about ¼ inch in from the side. Make the loops big enough to fit your fasteners. Insert ends of plied yarn in the next shed and cut off extra. Step 4: Weave 1 ½ inches. Step 5: Weave slit by dividing the warp in half. There are five yarns in the center so one side will have the extra yarn. Spreading the warp apart on the pegs helps keep it separated for weaving. Step 6: Insert an additional weft yarn into the newly created half. The new weft should go the same direction as the original weft. Insert a white sewing thread, about 24” long, with the new weft yarn (this will be used for the beads). Wind the thread onto the shuttle along with the weft. Step 7: Weave ¼ inch, keeping the two halves separate and running the thread with the new weft. Stop on a row with the weft and thread in the middle of the band. Unwind the thread from the shuttle and place a red bead on the thread. Run the thread across the slit and combine it with the other weft; this switches the weft the thread is running with. |
Step 7 continued: The bead should stay in the slit. Be sure to pull the thread tight so that the bead stays in place (it will loosen up after the weaving is finished). Step 8:
Weave ¼ inch. Stop with
both yarns in the center (one side will be ahead of the other). Create an
X join in the slit by crossing the two wefts and returning them to the
side that they came from. Step 10: Weave ¼ inch and create an X join as before. Step 11: Weave ¼ inch, stopping with the weft and thread combination in the center, and weave in a red bead. Step 12: Weave ¼ inch. On the last row do not stop in the center, but send all yarns to one side. Combine all the wefts and weave 2 rows to finish off the added threads. Step 13: Cut off extra threads and weave them into the shed, leaving one weft. Step 14: Weave 1 ½ inches. Step 15: Cut weft thread leaving a tail about two feet long. Thread the button or bead fasteners onto the weft. Insert weft into the shed and push the fasteners up through weft so that they will line up with the corresponding loops at the other end of the band. Step 16: Weave 1 inch. Step 17: Finish by folding the inch on both ends under and sewing hems. |
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